On Saturday, “La Matinale” offers you a selection of programs to (re) see or listen to delayed.
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This week, the passion for dance and the entry of hip-hop at university; A “pigouilleur” boatman that the “basins” bask; Battled, despised, forgotten harkis. And the “first media tenor”, Hollywood star with the “blessed voice of the gods”, also forgotten.
The passion of the apprentices of the ballet and the contemporary
Stéphane Carlel offers immersion in the quot Idien of students from the National Higher Conservatory of Music and Dance (CNSMD) in Paris, with their doubts, their emotions, their determination. The images kaleidoscope that launches this web series is the teaching of this school of excellence. Learning the ballet and that of the contemporary coexist in harmony. And, when one hundred and twenty students find themselves on a common project like that of the evening devoted to the American choreographer Trisha Brown (1936-2017), the atmosphere is in turmoil. “There’s a crazy atmosphere, joyfully exclaims a young woman. We all laugh together, there is really a complicity that is created among all and it’s just incredible.”
The documentary title highlights the common line of young people aged 16 to 18: only passion, that of dance, but also work and perseverance. “You have all passed a hearing,” said in the introduction Cédric Andrieux, director of choreographic studies. You have all had a great desire and a great curiosity to integrate this establishment and, to make it live, we need this desire and This curiosity … “
Immersion in the routine of the dancers makes it possible to take the temperature of their emotions, while observing their artistic progression. Direct, concrete, this web series films different key moments of the school year. The “carte blanche” offered to everyone to choreography a small eight -minute piece offers another point of view, even more intimate. As for the end -of -year passage exam, success or failure, it does not endure morale. “Since the time I have been there and all the sacrifices I have made, it is not a repetition that will stop it all,” says Laura. Rosita Boisseau
When France vas the harkis behind barbed wire
With her first documentary, Dalila Kerchouche, born in Bias (Lot-et-Garonne), signs a touching film that highlights the way the Republic welcomed those who ‘were engaged by his side. A film without hatred, which highlights the drama of the harkis, these French so long despised. For the past twenty years, this journalist born “behind the barbed wire” of Bias, in 1973, has been striving to bring out the memory of the harkis and their descendants.
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