Eleven times and seven new productions are on the Paris institution, including three entrusted to warnings.
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Three hundred and sixty-six curtain levers and thirty programs, of which fourteen new parity shows between the opera and the ballet, the next season of the Paris opera hopes to end well with the reports and cancellations ( National strikes, internal conflicts, CVIVID pandemic) that weaken its operation since three seasons.
Eighteen operas are on the program, against twenty-one the previous year, eleven times and seven new productions (one less than in 2021-2022), three of which entrusted to putting on the stage invited for the First time at the Paris Opera – Valentina Carrasco, Deborah Warner and Lydia Steier, the latter opening the ball.
It was with Salome, Richard Strauss that the American will make his first weapons in October on the Bastille plateau, the pit welcoming the baguette of Simone Young. Second female shock tandem in January 2023 with Peter Grimes, Britten: Deborah Warner will sign the Régie while Joana Mallwitz will start in the Garnier Palace pit. But it is at the expected entrance to the Nixon in China repertoire, from John Adams, in March 2023, which Valentina Carrasco will, the music of the American composer seeing himself defended in Bastille by the music director in person, Gustavo Dudamel .
Two French operas inspired by Shakespeare will also share the Scene of 12 e Arrondissement: Hamlet, Ambroise Thomas, directed by Krzysztof Warlikowski under the direction of Thomas Hengelbrock (March 2023), Thomas Jolly is entrusted with the Romeo and Juliette de Gounod who will finish the season in June 2023. As for Robert Carsen, he will continue in April 2023 his Haendelian journey with Ariodante, under the direction of Harry Bicset at the head of Français concert , while the young singers of the Academy will play Rossinian traps of Scala di Seta at the Athenaean Theater (Pascal Neyron, Jean-François Verdier).
Among the eleven times, the mythical Tristan and Isolde de Wagner designed four hands in 2005 by Peter Sellars and Bill Viola, under the explosive direction of Gustavo Dudamel. Many Italian titles will tell the beautiful chopsticks. Talented Speranza Scappucci in Bellini (Capulet and Montaigu by Robert Carsen) in Aziz Shokhakimov in Donizetti (La Lucia di Lammermoor of Andrei Serban), through Diego Matheuz in the Centerentola, Rossini (Guillaume Gallien) or Jader Bignamini in the force of destiny, from Verdi (Jean-Claude Auvray). Not to mention the Carmen of Fabien Gabel (Calixto Bieito), or Paolo Bortolameolli, who will share the Tosca (Pierre Audi) opening season with Gustavo Dudamel. Will complete the two Italian poster – the Verdian found of Alex Olle and the Puccinian Bohemian of Claus Guth – and two Mozart – The Names of Figaro de Netia Jones and the enchanted flute of Robert Carsen.
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