The Parisian institution received 1.3 million euros from the Vladimir Potanine Foundation, second fortune in Russia. Funding that embarrasses in the context of war in Ukraine
Passing in Paris a few years ago, Vladimir Medinski visits the Center Pompidou incognito. The Minister of Russian Culture, in post from 2012 to 2020, pouts. On the occasion of their recent acquisition by the National Museum of Modern Art, several hundred works by his compatriots are exhibited there. Among them, a photograph of the Moscow Blue Noss duo, dating from 2005, shows two soldiers kissing full mouth, in a birch forest. Not far is a reproduction of the Lenin mausoleum, produced in 2008 by Yuri Avvakumov, with dominoes. Not really to the taste of chief propagandist: “Fortunately we are rid of all this shit!”, Maugrée Medinski – he oversees the Russian delegation responsible for negotiating peace with the Ukrainians today.
Since the start of the war, on February 24, this collection also embarrassed teams from the French contemporary art center. Because it was formed with the help of the Potanine Foundation, led by the second richest man in Russia according to Forbes magazine , the Oligarch Vladimir Potanine. Built in 2015, this collaboration enabled the Center Pompidou to acquire nearly 550 works, designed by Russian or Soviet artists, between the 1950s and 2000s. Some were offered by the Potanine Foundation, the others by around forty donors – Private collectors, artists, heirs … Most were exhibited on the fourth floor of the Parisian building, as part of a course entitled “Kollektsia! Contemporary art in the USSR and Russia 1950-2000”, from September 2016 to April 2017.