The newspaper, which describes the Russian “aid” daily and the Ukrainian “Nazis”, did not derogate from his habits in the aftermath of live irruption on the tray of Journalist Marina Ovsiannikova to denounce “L ‘special operation’ in Ukraine.
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Ekaterina Andreyeva is fine, thank you. Monday, March 14, after “the incident”, she had posted in a short video, eastern music and lotus position: “Where does my calm? Yoga come from.” M me Andreyva 56 years old is the other star of this episode that inflamed social networks in Russia and in the world: the irruption of a journalist from the first chain, in full television news, handicap and slogans anti-gueruff the mouth.
Tuesday, March 15, Ekaterina Andreyeva is back to his position, the one she has been uninterrupted since 1998: presenter of the JT of 21 hours, on the main public chain. Same firefill flow as the day before, same wax face known in all Russian homes. The presenter changed, but his T-shirt posters, like the day before, a mischievous heart.
place to “hero”
Normality in tray, normality of a Russian television journal widely dedicated to the” special operation “conducted by the Russian army in Ukraine . The News of the Front are summaries: “Today, the Ministry of Defense reported the liquidation of a neonazis and foreign mercenaries in the vicinity of kyiv”, informs the presenter. Brief images of destroyed vehicles and arms – American – seizures. For once, no report on the mass defections of badly nourished Ukrainian soldiers fleeing “fascism”.
Place, rather, to “our heroes, those who risk their life for peace in Ukraine and the safety of Russia”. Exploits of the decorated day (“counter-attacked under the enemy fire …”), visit the hospital of some wounded. “All are impatient to find their unity,” says Ekaterina Andreyeva. Heroes still, these Russian soldiers who distribute humanitarian aid to residents of the kyiv region, “where the shops were looted”. Men work “carefully and respect”. A military doctor gives drops for his eyes to a child, his mother is moved.
Unusual, the opening of the newspaper is devoted to Maroupol, a name that little on Russian television: “Finally, locals tell the horrors that the Ukrainian nationalists do.” Accustomed to Stories of these horrors, viewers will be for their expense. Only shown the arrival of a refugee bus from the Ukrainian coastal city, “who fled by creeping under the shots”. Their buildings burned or are destroyed. They are exhausted, older for the most part, but we will not know more: neither what they fled, nor why their city is bombarded, and even less by whom.
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