In opening of Rennes’s trans music, the Italian artist gave his first concert in France, where he meets a growing success.
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The year started with vivo, beautiful and slow ballad on life that file “the time of a cigarette”. His author, Andrea Laszlo of Simone, posted the 1 January in the hope that she helps to “go well, despite everything”. Eleven months have passed, and the mission seems to be accomplished, to see the spectators who went out Wednesday 1 December of the National Theater of Brittany: a thousand radiant faces, including that, Béat, singer Philippe Katerine.
Accompanied by an orchestra of twelve musicians, the Italian opened the trans musicals of Rennes, before replaying the next day at the same place, with closed wickets. Initially scheduled in December 2020, these two concerts were postponed by one year, Covid-19 obliges. These are the very first asanda overlooks the French soil as a head of the poster; These are also the last, he ensures, before. How many cloves have grilled during the hour and a half that he spent on stage? Twenty, according to the police force; Infinitely more, according to the organizers. “In concert, I invest my body and soul, for regard for my musicians and my audience. This emotional swing does with joy; it is exhausted, too.” From now on, the 35-year-old Turinois intends to dedicate all his time At his companion, Irene Carbon, illustrator, to their children Martino, 9, and Lucia, 2 years, and his new songs. He has unveiled one to the Breton public, lost: “I would like to abandon the company / because I love you madly”, is it on flamecos cavalcades.
These days, Andrea puts the last hand to another whirlwind, I Nostri Giorni. The trace piece, he says, “How much technology frees us and chained, since the beginning of the XX e century”. The videoclip, which it realizes itself, confronts archives of opposite, serious or light nature. Even if it fears to be late, it has set the upload at 1 . January 2022, a story to buckle the loop: so proceeds Laszlo de Simone, by intertacs as much as contrasts. Does not he qualify his music of “grotesque”, with reference to the whimsical ornaments of antiquity, rediscovered to the Renaissance?
Synthesizer and trumpet
In reindeer, he first resumed in order and in full immensita, the mini-album that made it known in France as soon as it appears, in March 2020. The rest of the concert piochait happily in UOMO Donna (2017), his first and only album so far, under his name. Songs that this multi-instrumentalist has essentially recorded autarcie, at home or in the studio he has appointed, in Turin.
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